I spent the first thirty days of quarantine devouring Lizzy Goodman’s tell-all about New York City’s music scene in the early 2000’s, Meet Me in the Bathroom. I picked it up the week before the city shut down after a year of meaning to read it. From James Murphy’s self-centered comments to Ryan Adam’s now disturbing remarks, Karen O, one of the few female leads of 2000s alternative rock and one of the few female voices in the book, stood out like a diamond in the rough…

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